{"id":61977,"date":"2022-03-22T15:56:23","date_gmt":"2022-03-22T19:56:23","guid":{"rendered":"https:\/\/stage.rdvcanada.ca\/?p=61977"},"modified":"2022-03-23T10:35:42","modified_gmt":"2022-03-23T14:35:42","slug":"three-new-canadian-shows-at-canneseries","status":"publish","type":"post","link":"https:\/\/stage.rdvcanada.ca\/en\/events\/three-new-canadian-shows-at-canneseries\/","title":{"rendered":"Three new Canadian shows at Canneseries"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"61977\" class=\"elementor elementor-61977\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-d1655d7 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"d1655d7\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-e172c87\" data-id=\"e172c87\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-3f6b314 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"3f6b314\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-db3acaa\" data-id=\"db3acaa\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-9f46fbf elementor-widget elementor-widget-text-editor\" data-id=\"9f46fbf\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h3><strong>Canadian creators are out in full force and in competition at Canneseries this year, presenting three original projects blending comedy, social criticism and the prevailing themes of our times.\u00a0<\/strong><\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-51dbaad elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"51dbaad\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-973f061\" data-id=\"973f061\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-426793f elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"426793f\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-0c21c9b\" data-id=\"0c21c9b\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c985950 elementor-widget elementor-widget-text-editor\" data-id=\"c985950\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2><strong>Meet this year\u2019s Canneseries creators!<\/strong><\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-630228b elementor-tabs-alignment-stretch elementor-tabs-view-horizontal elementor-widget elementor-widget-tabs\" data-id=\"630228b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"tabs.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-tabs\">\n\t\t\t<div class=\"elementor-tabs-wrapper\" role=\"tablist\" >\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-1031\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"true\" data-tab=\"1\" role=\"tab\" tabindex=\"0\" aria-controls=\"elementor-tab-content-1031\" aria-expanded=\"false\">Audrey est revenue (Audrey's Back)<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-1032\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"2\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-1032\" aria-expanded=\"false\">Revenge of the Black Best Friend<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-1033\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"3\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-1033\" aria-expanded=\"false\">Compl\u00e8tement lyc\u00e9e (Totally School)<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t<div class=\"elementor-tabs-content-wrapper\" role=\"tablist\" aria-orientation=\"vertical\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"true\" data-tab=\"1\" role=\"tab\" tabindex=\"0\" aria-controls=\"elementor-tab-content-1031\" aria-expanded=\"false\">Audrey est revenue (Audrey's Back)<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1031\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1031\" tabindex=\"0\" hidden=\"false\"><h2 id=\"audrey-est-revenue-audreys-back\">Audrey est revenue (Audrey&#8217;s Back)<\/h2><p><img fetchpriority=\"high\" decoding=\"async\" class=\"size-large wp-image-61997 aligncenter\" src=\"https:\/\/stage.rdvcanada.ca\/wp-content\/uploads\/2018\/01\/RDV-Canada-Article-Photos-4-1024x576.png\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/stage.rdvcanada.ca\/wp-content\/uploads\/2018\/01\/RDV-Canada-Article-Photos-4-1024x576.png 1024w, https:\/\/stage.rdvcanada.ca\/wp-content\/uploads\/2018\/01\/RDV-Canada-Article-Photos-4-768x432.png 768w, https:\/\/stage.rdvcanada.ca\/wp-content\/uploads\/2018\/01\/RDV-Canada-Article-Photos-4-220x124.png 220w, https:\/\/stage.rdvcanada.ca\/wp-content\/uploads\/2018\/01\/RDV-Canada-Article-Photos-4.png 1536w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p><p><a href=\"https:\/\/stage.rdvcanada.ca\/en\/product\/audreys-back\/\">This 10-episode series<\/a> revolves around a 34-year-old woman (Florence Longpr\u00e9) who wakes up miraculously from a coma, 16 years after being found unconscious on a rural road. With the help of her now-divorced parents Andr\u00e9 and Mireille (Denis Bouchard and Jos\u00e9e Desch\u00eanes), her brother Cl\u00e9ment (Dominic St-Laurent), her well-meaning stepfather Marcel (Martin-David Peters) and her sassy half-sister Sarah (Zeneb Blanchet), Audrey will have to relearn how to walk, talk, read, and how to do all the small things we take for granted. During the readaptation period, Audrey isn\u2019t the only one who will be transformed; her return will bring her entire entourage out of a deep sleep.<\/p><p>Written by Longpr\u00e9 and Guillaume Lambert, <em>Audrey est revenue<\/em>\u2019s ten 30-minute episodes have been streaming on Club Illico since November 2021. It marks the return of Longpr\u00e9 to television after the interplanetary success of <em>M\u2019entends-tu?<\/em>, which is available worldwide via Netflix. It also marks a reunion between Lambert and Longpr\u00e9, who were both cast members of the hit sketch comedy show <em>Like-moi<\/em>.<\/p><p>\u201cThe collaborative process of writing the show happened entirely virtually; Guillaume and Florence spent long hours writing over videoconference. They were backed by Emmanuelle Beaugrand-Champagne, who worked as a script editor, and a researcher helped them to better understand the different states relating to a comatose state. They also met with medical specialists and talked to people who had experienced a coma and rehabilitation either themselves or through a loved one. When the time came to find a director for the series, it seemed only natural to put it in the hands of Guillaume Lonergan, who had previously directed entire seasons of <em>L\u2019\u00e2ge adulte <\/em>and <em>M\u2019entends-tu?\u201d<\/em><\/p><p>\u201cWhen I read the first three episodes, I was completely incapable of imagining anyone other than Florence in the Audrey role,\u201d explains Lonergan. \u201cI told her to forget that she was a co-writer of the story \u2013 that she was Audrey.\u201d<\/p><p><em>Audrey est revenue <\/em>is, at its core, about familial relations and how people can find themselves bonded through struggle and tragedy. \u201cThe show and Audrey\u2019s story have the potential to reach a wide audience. It presents emotions to which everyone can relate. Everyone has lived through trauma, had an accident happen to their family or friends. It\u2019s about how people try to move past repercussions. The show unpacks the dead ends and traumas of the past through living room scenes. There\u2019s also strong themes of mismatch within the show \u2013 the mismatch between the present-day and the year Audrey had her accident. Many people feel overwhelmed by the speed at which our era moves and changes, which makes it easier for them to relate to how Audrey feels when she awakens.<\/p><p><em>Audrey est revenue<\/em> is the only Canadian project in competition in the history of Cannes\u00e9ries. \u201cIt\u2019s a true honor that Canneseries recognizes the creativity and audacity of <em>Audrey est revenue<\/em>,\u201d says Nicola Merola, president of Pixcom and executive producer of <em>Audrey est revenue<\/em>. We are doubly honoured to be part of the official selection and to share this Quebec series with the public as well as professional guests \u2013 a superb showcase for local talent!\u201d<\/p><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"2\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-1032\" aria-expanded=\"false\">Revenge of the Black Best Friend<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1032\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"2\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1032\" tabindex=\"0\" hidden=\"hidden\"><h2 id=\"revenge-of-the-black-best-friend\">Revenge of the Black Best Friend<\/h2><p><img decoding=\"async\" class=\"size-large wp-image-61987 aligncenter\" src=\"https:\/\/stage.rdvcanada.ca\/wp-content\/uploads\/2018\/01\/RDV-Canada-Article-Photos-2-1024x576.png\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/stage.rdvcanada.ca\/wp-content\/uploads\/2018\/01\/RDV-Canada-Article-Photos-2-1024x576.png 1024w, https:\/\/stage.rdvcanada.ca\/wp-content\/uploads\/2018\/01\/RDV-Canada-Article-Photos-2-768x432.png 768w, https:\/\/stage.rdvcanada.ca\/wp-content\/uploads\/2018\/01\/RDV-Canada-Article-Photos-2-220x124.png 220w, https:\/\/stage.rdvcanada.ca\/wp-content\/uploads\/2018\/01\/RDV-Canada-Article-Photos-2.png 1536w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" loading=\"lazy\" \/><\/p><p>Created, co-written and co-produced by Amanda Parris, <a href=\"https:\/\/stage.rdvcanada.ca\/en\/product\/revenge-of-the-black-best-friend\/\"><em>Revenge of the Black Best Friend <\/em><\/a>explores the issue of token Black characters in the film and television industry. The six-episode series follows Dr. Toni Shakur (Olunike Adeliyi), a self-help guru who uses her best-selling books, her talk show and public appearances to support Black actors and force Hollywood to change its ways. However, the series also forces Toni to confront the question: what happens when a social justice issue becomes your brand?<\/p><p>Produced by iThentic and premiering on CBC Gem just a few days before Canneseries, <em>Revenge of the Black Best Friend<\/em>\u2019s origins are deeply-rooted in Parris\u2019 lived experience.<\/p><p>\u201cA few years ago, I was re-watching a lot of the films and tv series that defined\u00a0my teen years,\u201d says Parris. \u201cI was eager to get lost in the nostalgia, but I was having a hard time escaping because I kept bumping up against these token Black characters that were in almost everything I watched. They were frequently one-note stereotypes and rarely had back stories or strong\u00a0motivations. They were there to deliver cool points to the lead, drop supportive one-liners or provide comic relief. A vague idea began stirring of a support group for Black actors who are consistently cast as the Black best friend. When I began pitching that idea to folks, a lot of people referenced <em>Hollywood Shuffle<\/em>\u00a0and after I watched that classic film by Robert Townsend, it became a really\u00a0important reference and tentpole for what I wanted this to be.\u201d<\/p><p>In that sense, Parris and producer Julian de Zotti are targeting audiences that have long been silenced or relegated to the margins by traditional storytelling.<\/p><p>\u201cI hope that everyone will watch this series (laughs), but we have a few key targets: Black, Indigenous and people of colour viewers between the ages of 18-49 are, broadly speaking, an audience who have been vocal about their discontent when it comes to representation in screen industries,\u201d explains Parris. \u201cThrough social media, they&#8217;ve ushered this age of\u00a0reckoning in the world of film and television. This is an audience that wants to see themselves and their voices, struggles and experiences articulated in the content they consume, and I hope they tune in to this series.\u201d<\/p><p>Though <em>Revenge of the Black Best Friends <\/em>speaks to a quasi-universal experience of Black people in white-dominated spaces, the show\u2019s Canadian roots shine through.<\/p><p>\u201cAt the start, I wasn&#8217;t sure that this needed to be an overtly Canadian project because the themes it explores transcends borders, but my co-executive producer Motion pushed back on that and really helped me to understand why it was important for this to be rooted in Canada,\u201d Parris explains. \u201cSo often, this country tries to assert a myth of innocence and progressiveness, claiming to be miles apart from our neighbour to the south when it comes to issues of race. However, when you look at the landscape of film and television in Canada, a different reality presents itself. It was important not only to base our lead character Dr. Toni Shakur here, but also to include a cameo from Canadian actress Andrea Lewis who has bravely spoken up about the challenges she has faced in this industry. By putting her alongside fictional characters, it serves as a reminder that although this is a comedy, the topics we&#8217;re exploring are daily realities for many working actors right here in\u00a0Canada.\u201d<\/p><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"3\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-1033\" aria-expanded=\"false\">Compl\u00e8tement lyc\u00e9e (Totally School)<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1033\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"3\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1033\" tabindex=\"0\" hidden=\"hidden\"><h2 id=\"completement-lycee-totally-school\">Compl\u00e8tement lyc\u00e9e (Totally School)<\/h2><p><img decoding=\"async\" class=\"size-large wp-image-61992 aligncenter\" src=\"https:\/\/stage.rdvcanada.ca\/wp-content\/uploads\/2018\/01\/RDV-Canada-Article-Photos-3-1024x576.png\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/stage.rdvcanada.ca\/wp-content\/uploads\/2018\/01\/RDV-Canada-Article-Photos-3-1024x576.png 1024w, https:\/\/stage.rdvcanada.ca\/wp-content\/uploads\/2018\/01\/RDV-Canada-Article-Photos-3-768x432.png 768w, https:\/\/stage.rdvcanada.ca\/wp-content\/uploads\/2018\/01\/RDV-Canada-Article-Photos-3-220x124.png 220w, https:\/\/stage.rdvcanada.ca\/wp-content\/uploads\/2018\/01\/RDV-Canada-Article-Photos-3.png 1536w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" loading=\"lazy\" \/><\/p><p><a href=\"https:\/\/stage.rdvcanada.ca\/en\/product\/totally-school\/\"><em>Compl\u00e8tement lyc\u00e9e<\/em><\/a> is a webseries from ToRoS production that parodies young-adult fiction from the early 2000s with a resolutely Qu\u00e9becois twist \u2013 it\u2019s presented as the French dub of an American show, mirroring the experiences of Qu\u00e9bec millennial audiences\u2019 teenage years. Created by up-and-coming comedians Pierre-Yves Roy-Desmarais and Rosalie Vaillancourt, <em>Compl\u00e8tement lyc\u00e9e <\/em>(which has been available to stream on the Noovo platform in Qu\u00e9bec since December of 2021) was originally conceived as a video intro to a live show presented by its two leads at the 2017 edition of Zoofest, the Just For Laughs-adjacent festival committed to emerging voices in the comedy scene.<\/p><p>The idea was soon fleshed out by Roy-Desmarais, Vaillancourt and director Alec Pronovost before being optioned by ToRoS in 2018. \u201cThe heart of the project remained the same from the beginning \u2013 to parody American television from an angle inspired by the Zucker brothers (<em>Airplane!, The Naked Gun, etc.<\/em>) and make our own turbo-silliness out of it,\u201d say producers Camille Montreuil and Marc S. Grenier.<\/p><p>Vaillancourt stars as Allison Thompson, a new student at New Garden Hills Valley High School. She immediately falls victim to local mean girl Ashley Winterbottom (Katherine Levac) and doofy jock Brian Manson (Roy-Desmarais), with gay best friend Keith O\u2019Keefe (Patrick Abellard) backing her up through the trials and tribulations of high school.<\/p><p><em>Compl\u00e8tement lyc\u00e9e<\/em> offers a comedic experience that\u2019s both extremely specific and decidedly universal.<\/p><p>\u201cI always had the impression that our public was a niche one because our ideas were so silly,\u201d says Pronovost. \u201cI figured it would only appeal to people who watch things late at night in a bit of a second state\u2026 and, finally, I was completely wrong! We feel like it appeals to people from different age groups, from my parents to teenagers.\u201d<\/p><p>\u201cAlthough the concept is based on references that are resolutely francophone and Quebecois, we quickly realized that other francophones throughout the world had been bombarded with the same dubbed American series in the same time period,\u201d explain Montreuil and Grenier. \u201cEven though a show dubbed in an \u2018international French\u2019 could seem perfectly normal, the comic potential and the irony of its dubbing is retained. The show\u2019s selection at Canneseries is proof of that. There\u2019s also a great window of opportunity tied to non-anglophone, non-francophone markets who also have experience with American content that could potentially bring their own dubbing to the series.\u201d<\/p><p>\u201cThe parodic elements come from the francophone experience, so it\u2019s hard for me to imagine how an anglophone public can really tune in that comedic angle,\u201d adds Pronovost. \u201cThat being said, maybe we have something if there is a history of dubbing in the anglophone world. It would result in a show shot in English, dubbed in French, and then dubbed again in English. Now we\u2019re talking. Never been seen!\u201d<\/p><\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-9fb7966 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"9fb7966\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-bb7e4fb\" data-id=\"bb7e4fb\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Canadian creators are out in full force and in competition&#8230;<\/p>\n","protected":false},"author":1203,"featured_media":61872,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":"","footnotes":""},"categories":[16],"tags":[],"class_list":["post-61977","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","posts_festivals-miptv-2022"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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